The husband-wife team of Kevin J. Anderson and Rebecca Moesta have published an astonishing number of high-profile Science Fiction and Fantasy books, including major contributions to the expanded universes of Star Wars and Dune. Kevin Anderson’s work has garnered an impressive number of awards and nominations. He has written for Lucafilm and collaborated with big names like Dean Koontz, Brian Herbert, and (hard to believe) Neil Peart of Rush. The Andersons operate their own publishing house, WordFire.Press which has picked up rights to publish and republished big names like Alan Dean Foster, Frank Herbert, and D&D favorite Tracy Hickman.

But way back in the day, before Kevin J Anderson was a well-established name in the biz, he and his wife received a commission for a modest project with TSR’s Endless Quest series under the imprint of Greyhawk Adventures.

I recently obtained a copy of the rare book Siege of the Tower and reviewed it here. I caught up with Anderson via email to ask a few questions about how he came to be a Greyhawk writer.

Greyhawkstories:

How did you land the contract with TSR to write Siege of the Tower?

Kevin J. Anderson:

That was an interesting project that NO ONE ever asks about! Brian Thomsen was the editor at TSR, and he was a friend of ours. We (my wife Rebecca Moesta and I) were working writers, just about at the time we were quitting our day jobs and becoming full-time writers, and so we were open to new projects. Brian asked us if we were interested in doing a D&D “choose your own adventure” book, which were just starting to become popular at the time.

Greyhawkstories:

Siege of the Tower reads pretty faithful to the D&D genre. It reads like a campaign adaptation of a module. Were you already familiar with Dungeons & Dragons, or did you need to do a crash course in the game?

Kevin J. Anderson:

Oh yes, I played it all the time in college. My DM, in fact, was Kristine Kathryn Rusch, who is now an award-winning and bestselling author herself. In fact my very first published trilogy, GAMEARTH, GAMEPLAY, and GAME’S END, is D&D fantasy adventure. We would play every Sunday night with a group of friends, and our game became the basis for my trilogy and for Kris’s first published novel, White Mists of Power.

Greyhawkstories:

Were you familiar with the World of Greyhawk setting?

Kevin J. Anderson:

Not Greyhawk, as such. Just the general D&D universe, but we polished up on Greyhawk before writing the book.

Greyhawkstories:

The “choose-your-own-adventure” genre seems like a baffling way to create a narrative. How did you go about constructing the novel?

Kevin J. Anderson:

Choose-your-own-adventure was a “thing” at the time, but we had never tried one before. But it sounded like fun. So, Brian Thomsen gave us a cover painting, something TSR already owned, showing an ugly ogre and other ogres laying siege to a medieval castle. He told us that was the cover, so we agreed to set up a story around that painting. Rebecca and I brought in three other writer friends of ours for the project, and we all camped at our house for a weekend. We developed the main story, and then brainstormed all of the possibly storylines. We had a huge piece of paper, like a flowchart, mapping all the story possibilities. BUT the important thing was that every single storyline brought the reader to the scene that was on the cover.

With the other authors, we each retreated to separate writing rooms, and everybody wrote their storylines. It took the team a weekend to produce the book, and then Rebecca and I took the consolidated manuscript and polished it all up before delivery. We were all pretty pleased with how it turned out and how much fun we had. The book went unto production and Brian Thomsen, the editor, was very happy to send us the final copies.

Remember when I told you that he gave us the cover painting, and how we worked hard to make sure that every possible storyline showed that scene—burly ogres with clubs laying siege to a castle tower?  Well, when we received the final covers, we were shocked to see a demon on a flaming skeleton horse … which had nothing to do with the story. We called the editor in distress, “This isn’t the cover painting you gave us!!!”  He groaned and said “Oh, not again …”

 

Greyhawkstories:

That explains the mystery of the cover. The artwork you described is a Paul Jaquays piece that appeared on the cover of the module Border Watch. The artwork on Siege of the Tower is the Jeff Easley piece that appeared on the cover of the 1992 boxset From the Ashes.

Kem Antilles is a pseudonym. Could you explain it? It sounds like a Star Wars reference.

Kevin J. Anderson:

Since so many other authors worked on Siege of the Tower, we wanted a name that was not obviously male or female, so we came up with “Kem.” I’ll confess, Antilles was an homage to Wedge Antilles from Star Wars.

Greyhawkstories:

If given the opportunity, would you ever be interested in returning to the World of Greyhawk?

Kevin J Anderson:

Interested?  Well, always. But whether or not I can fit it in with the deadlines is another thing entirely!

Greyhawkstories:

Since writing Siege of the Tower, you’ve gone on to write an astonishing library of titles. For readers who want to check out your other works, with what stories do you recommend we start?

Kevin J. Anderson:

Spine of the Dragon  is my big new epic fantasy trilogy. The second novel will come out soon, and I’m writing the third and final novel right now. I also have a really ambitious space opera series, The Saga of Seven Suns. The best thing, though, is to join my readers group at wordfire.com and I’ll keep you up on all the new stuff. You also get a free collection of my short stories.

Greyhawkstories:

One more thing. Just for fun, tell us about your relationship with Neil Peart.

Kevin J Anderson:

That’s a long story. I knew Neil for 30+ years before his passing last January. My first novel, Resurrection, Inc., was inspired by the Rush album Grace Under Pressure. Neil read the novel and wrote me. We were friends ever since. Not only did we write the novels Clockwork Angels and Clockwork Lives together, we also did a creepy short story, Drumbeats, and I’m just putting together a signed, limited and illustrated edition, which will be released soon. You can preorder at wordfireshop.com